So, I’ve got my first advertiser on the site, Disquiet: Dzanc Book’s International Literary Program in Lisbon, which coincidentally I’ll be reading at this summer in Lisbon, Portugal (July 1 -13). You should come. Details on the events page, or by clicking the ad on the homepage. Now, a recap of the week that was: started with Bon Iver on SNL, then some Super Bowl, a full week of Canada Reads, and Saturday morning coffee with a Bill Callahan cover of Leonard Cohen. Aces.
Sunday – The Best Super Bowl Commercial Ever
Monday – Ardor Shining
Brady Pearson hadn’t been home in 37 months, but it had nothing to do with his mother’s cooking nor the taxidermied pheasant his father kept next to his recliner and occasionally fed goldfish crackers diluted in flat club soda. No, despite the fact that he loved his parents and adored dead birds, Brady hadn’t been home since his girlfriend Lila, his former girlfriend Lila, his former fiancé Lila, the very same Lila who had only 36 months earlier so readily and happily accepted an engagement ring, who had moments later changed her Facebook status to “engaged”, who had disappeared 35 weeks ago only to return four days later with a sleeve tattoo and guy named Chan who smelled like vinegar and kept calling Brady “Pepé”, who had left Brady for that very same Chan, and who had yet to return the engagement ring.
I have wronged a good woman or three, so I know the difference between anger and hatred. I have seen it up close, and it is a tangible and violent emotion born of a fierce rage. But to have seen the manner in which the ACC faithful booed Subban, to have seen it from those in Philly and Boston and New York on television, the hopeful peacenik in me tried to resolve the spite and hostility as simply a part of pro sports.
Thursday – Bon Iver – Holocene (Saturday Night Live 02.03.12)
Friday – Truth & Pettiness on Canada Reads
For the most part, I’d rather stab myself in the eye with Margaret Atwood’s Long Pen than listen to a debate about CanLit. As you can imagine, my MA in English Literature was torturous, which is why I developed a dependency on bourbon and NeoCitran. It’s not that I don’t love Canadian writing, because I do. It’s not that I don’t like the Canadian writing community, because I have found it warm and accepting. It’s mostly because these debates tend to illuminate Canadian literature’s tendency to be insulated, precious, and protectionist. Also, there’s too many poems about wheat.
I miss a lot from my former lives. I’ve spent time living in Ottawa, Vancouver, Costa Rica, Montreal, and now Toronto, and with each move, each shift of life, I’ve left something special behind: a girl I loved, a friend I cherished, an apartment I felt right in, a diner that burned my grilled cheese just right, a quiet street I liked to stumble home, a spot on the beach to celebrate the eventide, a girl I loved. I like moving. I enjoy that sense of displacement. The rush of adrenalin born of fear of solitude and loneliness. The way a new place smells. The way it tastes. Of walking unfamiliar streets completely alone. And what I like best of a new place, a new temporary home, is discovering a local, a pub or tavern to call my own. And on a recent visit back to Montreal, I stopped by a former local to find it turned inside out, contemporized, changed. And I realized, much to my disappointment, that I haven’t had a local in some time, that I’m without a true home.
Many more intelligent folks than I have considered what we “need.” Virginia Woolf claimed that “a woman must have money and a room of her own if she is to write fiction.” Why this only applies to women and fiction is beyond my two degrees in English, but it didn’t turn out all that well for Ginny did it? Neil Young claimed a “man needs a maid” but Neil is notoriously messy, and that all turned pretty bad for Carrie Snodgress. Hunter S. Thompson told us “I hate to advocate drugs, alcohol, violence, or insanity to anyone, but they’ve always worked for me,” which some of us have tried to varying degrees of success, Thompson himself on the low end of that measurement. For me, a man needs a home, and that home is a local, a bar to call his own, a place where you can drop in at 11am without judgment for a cold 50 and read the paper. A place where a stool is always empty, where you can have both conversation and silence, where a hockey game plays on a TV quietly in the distance, where a friend will drop by, or not. And where it doesn’t matter.
My first local was an Irish pub in Ottawa called Gentle Annie’s. My friends and I went there because, well, it was close to our homes and they’d serve us even though we were sixteen. The owner, Des, whose nose had burst so many blood vessels it looked like an irrigation chart, and his staff very much knew how old we were, mostly because we would drunkenly admit it in the wee hours. We were peach-fuzzed little drunkards, but we could hold our liquor and we tipped well. We knew all the words to all the Irish songs, and we belted them out as best we could. The only problem with being so close to our homes, was that from time to time a friend’s parents or one of our high school teachers would come in. We’d all pretend not to see each other, except for on one occasion when a rather inebriated algebra teacher struggled to his feet to declare he was taking attendance, and proceeded to call on the five of us by surname over and over until someone settled him down.
On one of my last visits to Gentle Annie’s, I accidently broke my buddy Joe’s front tooth with the end of my pool cue. Opinion on how it happened differs, as Joe claims I hit him and I maintain that he face planted into my cue as he bent over for his pint. Joe, suffering from too many drinks and a bit of vanity, naturally called 911 from the bar payphone. We were a little surprised when two cop cars, a fire engine, and an ambulance showed up upon hearing of a broken tooth at a local not averse to the occasional scuffle. The cops laughed at us, the fire engine quickly departed, and after the ambulance attendant explained to Joe that he would be charged a $95 fee for the ride, he thought it best to just go home and sleep it off. To this day his cap doesn’t quite match his teeth, and his mother holds me responsible for his now slightly less than perfect smile. He’s still very pretty, though.
There were a few places when I moved to Vancouver that I considered my local, but I never really felt at home in that city until I found The Fringe Café. The Fringe was like a house party with all your closest friends, every night, all night. I would imagine that the party is still going on, but I haven’t been there in twelve years. The Fringe was special, in that you could go in at any time and feel comfortable whether you were reading a book or hitting on the barmaid or doing shots of Jäger. The staff was more than friendly, and it was not uncommon to stay drinking right into morning, and greet the day staff as they came in for their early shift. On two separate occasions I put my ball cap down on a candle, nearly setting fire to the table, and perhaps the bar. Another time I left the bar not by walking out the front door, but by somersaulting the length of the room and out the back. I remember once refusing to leave the patio, and being carried, pint in hand, by Karen the bartender to an indoor seat. I remember great music. I remember feeling light. I remember good people. I remember being three thousand kilometres from home, and not at all.
Eventually, the sane man sobers up and leaves Vancouver. And in the years that followed I was without a local. There were a few weeks in Ottawa where the Alibi Room was close, but it was too small and dark to find any real comfort. It was, however, the place that supplied my roommate and I with toilet paper, as we were broke and he was handy with opening the locked dispenser in the men’s washroom with his Swiss Army knife. But then one night a girl I was seeing decided to pour an entire litre bottle of water over my head in the middle of the bar, and after that it wasn’t really a place I wanted to go back to.
In Montezuma, on the Peninsula de Nicoya in Costa Rica, there were a couple of little hotel bars I liked, where eventually the staff acknowledged me as a pseudo-regular. If I was a true regular anywhere there, it was the breakfast place that would whip up my eggs and café con leche as they spotted me coming down the beach, or the groceteria that had cheapest pilsners and discounted guaro. But down there, we were always happiest to drink on the beach, and no one is in Costa Rica on any permanent basis. No one is home.
It wasn’t until I got back to Canada, and moved to Montreal that I found a local again. The Cock n’ Bull was one of the first bars I had been to in my youthful visits to Montreal, so it seemed natural to return. I didn’t know anyone in the city, and I liked going there alone in the afternoons for pitchers of 50 and to read the paper, maybe try and do some writing. There were always these sad old men at the bar, Bukowksi’s without pens or poetry, drinking draught beer from white wine glasses, contently awaiting some kind end. I kind of admired them, their comfort in solitude, their confident quiet. It was here that I wrote most of my first book, where I could look into the future of my speakers as they sat at the bar next to me. As I found a community, when we called each other, we didn’t even need to say which bar to meet at, just when. The Cock n’ Bull became a home. Many nights would start at a large table, pitcher upon pitch being devoured, and inevitably end up with just myself and Nick McArthur as 3am rolled around, doing shots of Southern Comfort, wondering where everyone went, talking about how one day we’d be writers.
At this time of year we’re inundated with top ten lists. Ten best albums, ten best TV shows, ten best Tuesdays, ten best best lists. I find it horribly annoying, because few of them ever differ drastically, and it seems like lazy content. How many journalists/bloggers/CFL cornerbacks do I need to tell me how good Breaking Bad is? I mean, I’d post a top ten albums of the year list, but all ten would be Bon Iver’s Bon Iver. Also, apparently I’d have to know who Adele is. And I don’t. So I’ve decided to make a list of the top things to come before 2011. Because, if you consider the entire existence of existence, 2011 was pretty pedestrian. Oh, and it’s a top eleven list. Because a top eleven is better than a top ten. You know, because it goes to eleven.
11. Shoes
Shoes are greatly underappreciated for their role in the development of contemporary society. Before shoes, people just walked around in great discomfort and cutting up their feet. It was like being Bruce Willis in Die Hard, but every day. First came sandals, but they were inherently flawed, poorly suited for winters, and, really, no one wants to see your toes.
Also, without the shoe industry, we’d have one less way to exploit the lax child labour laws in Third World countries. Only an impoverished and malnourished Third World child can manage the intricate stitching on my Nikes. Go capitalism!
10. Hockey
The best of all sports. The hard collisions of football, the athleticism of basketball, the violence of boxing, the history of baseball, the best trophy in all sports, speed like no other team sport, and Canadians are good at it. Oh, and it can be played on a frozen body of water. Suck it, Lacrosse.
Does the imagination dwell the most
Upon a woman won or woman lost?
If on the lost, admit you turned aside
From a great labyrinth out of pride,
Cowardice, some silly over-subtle thought
Or anything called conscience once;
And that if memory recur, the sun’s
Under eclipse and the day blotted out.
and
To-morrow, and to-morrow, and to-morrow,
Creeps in this petty pace from day to day,
To the last syllable of recorded time;
And all our yesterdays have lighted fools
The way to dusty death. Out, out, brief candle!
Life’s but a walking shadow, a poor player,
That struts and frets his hour upon the stage,
And then is heard no more. It is a tale
Told by an idiot, full of sound and fury,
Signifying nothing.
And if you need to know who wrote them, you’re fired. (Also, for the purposes of this list, experimental poetry, Jewel, Billy Corgan, and work produced in or for high school creative writing classes are not considered to be poetry. Also, anything celebrated by grad students. Because, as I’ve said previously, grad students are the worst.)
8. The Bible
As a writer, I have a lot of respect for a book that is a perpetually on the year’s best seller list. Plus, without the Bible there’s no country music, and I don’t want to live in a world that didn’t know Johnny Cash.
And there’s this: “And the roof of thy mouth like the best wine for my beloved, that goeth down sweetly, causing the lips of those that are asleep to speak.” (Songs of Solomon 7:9)
Plus, it’s just some great storytelling. It’s right up there with Dan Brown and Stuart McLean.
6. (Tie) Bacon and Cheese
If it doesn’t taste better with bacon and cheese, it’s not worth eating. If there was a way to mainline bacon and cheese I would. Lately, I’ve taken to stuffing everything with cream cheese and then wrapping it in bacon. Jalapenos, mushrooms, pork tenderloin, bacon, chicken, my 1985-86 O-Pee-Chee #9 Mario Lemieux rookie card, some girl named Sadie. As soon as I can find the proper butchering tools and skill set, I’m going to bleed a pig, stuff it with cream cheese, and then wrap it in bacon. You wait. It’ll be a thing. Meta-food.
I got old. It happens to the best of us, I know. I put it off as long as I could. Most of my high school friends got old years ago, but I moved to Vancouver, and then to Montreal, both moves that will delay aging by at least three to six years. Montreal especially. I think I can count my adult moments in Montreal on one hand, and I was there for seven years. But I’ve been back in Ontario for a while now, and suddenly I know I’m old. That, and my sister called me fat the other day. Okay, fat is probably my word, but she suggested I had girth. Girth was most definitely her word. And I’m a skinny fella. I make the lanky blush. But even with my girth and my move, I didn’t feel old until the other morning when Facebook mentioned to me that Neil Young’s Bridge School Concert was celebrating its 25th anniversary. I went to a Bridge School show once. In 1997. Fourteen years ago. See, I’m old.
For those unfamiliar with The Bridge School Concert, it is an all-acoustic benefit show founded and hosted by Neil and Pegi Young in support of The Bridge School, “an innovative organization educating children with severe speech and physical impairments through the use of creative approaches to education and communication, augmentative and alternative communication systems and assistive technology, and extensive involvement of families and community.”
Five of us drove down to Mountain View, California, from Vancouver. It was a horrible drive. A horrible car. And fractured company. The five included me, my girlfriend at the time, her best friend who was my ex-girlfriend, her boss who was a troll of a woman, and one of my roommates who we affectionately called Fat. In retrospect, the whole trip was an awful idea. Fourteen years later I only speak to one person who was in that car, but I still love Neil Young, and there are few things in this world more amazing than driving down that coast. Below is a poem titled “I-5″ from my first collection JACK that took parts of the memory of that road trip (and a few others) and threw it on top of the general conceit and focus of the book. Donations to the Bridge School may be made here.
I-5
SEATTLE, WASHINGTON
The sign read: 101 Beautiful Naked Women and 3 Ugly Ones.
Most girls wouldn’t have wanted to stop,
but she had pretty eyes,
easing the Volvo to the curb.
Inside we drank flat expensive draught,
watched single mothers dance for indie kids,
in the absence of fat businessmen sweating
small erections through Sears suits.
Pinstripe fiends on long lunches from sad cubicles
that have somehow grown like weeds in a suburbia
that stretches up and down Interstate 5.
I asked the bartender, whose nametag said Horatio
(but his eyes, his eyes said something else),
where the “Ugly Ones” were.
Horatio said they weren’t so much ugly as bitter
at a world painted in suburban strip club teal.
She was an actress, or a waitress.
Not sure if I know the difference.
I wrote her introspective post-modern performance pieces,
from the point of view of a four hundred-year-old syphilitic tuna
named Laverne. She told me writers were just actors
too lazy to work restaurant shifts.
We filled the back of the Volvo with strange aquatic monologues
and two sleeping bags that zipped together awkwardly.
We stopped at a Community College just south of the city,
a place suburban kids get diplomas in Hospitality and Tourism
instead of getting jobs so that they could finally move out
of their parents’ basements.
We befriended a young couple, Harold and Maude,
(who knew only of Cat Stevens as a terrorist
and had surely just failed Menu Planning exams),
shared American Spirits and weak, warm American beer.
We roamed the Emerald City on streets not of yellow brick,
finding no wizard, but rather a mellowed back alley bar
that served exclusively, seductively and unapologetically
Loose Corn Daiquiris and Jager.
With each kernelled drink and Green River b-side,
her eyes filled further with tears like fisheye dreams,
knowing today maybe she’d loved the last of me.
Staggering into a vagrant’s night,
we walked the maze of dishonest sidewalks,
claiming their loyalty,
and streets named for trees
and sixteenth century explorers,
searching for a ’76 Volvo with a cerulean door,
through a park where she said she had lost her virginity,
and bounded into the night as if had she looked hard enough
we might be able to find it in a soft decade’s lazy growth.
In a hotel room where Hendrix
once ate oatmeal with a small spoon,
she dreams in Spanish
whispering truths she wouldn’t dare
in waking or English.
A continuation of a thought on Frances Bean Cobain from a few weeks back, which can be found here.
The New York Times had an article recently on the “arrival” of Frances Bean Cobain, as perhaps a fashion and pop icon. Kurt Cobain and Courtney Love’s daughter is all of 18 years old, and this offensive article (more befitting of the TMZs of the world) is so frustratingly naïve and ignorant it makes me fear for the Times. For example writer Austin Considine, who I’m assuming is a 15-year-old aspiring dancer/actor from Des Moines with a prestigious blog and a subscription to People, notes:
“Last night as we were all attempting to leave the office, we couldn’t pull ourselves away from our computer screens because we were too mesmerized by the new photos of Frances Bean Cobain,” wrote Alyssa Vingan on StyleCaster.com. “All of our fashion friends were tweeting up a storm about them, and it’s easy to see why.”
Indeed. Gone is the sweet round-faced teen of her 2008 pictorial for Harper’s Bazaar. Instead, her intense, pale stare hauntingly recalls her brilliant but troubled father, front man for Nirvana, who committed suicide in 1994, when she wasn’t yet 2. The stringy hair, self-possession and voluptuous pouting lips evoke a younger, wildly ambitious Ms. Love.”
What young Considine does in quoting the similarly naïve ignoramus Vingan, and noting Ms. Cobain’s aesthetic attributes she shares with her parents, is that the only thing that matters in her rise to pop prominence is her parents. A birth certificate, and not person mesmerized Vingan and her cohorts. And more importantly, and intriguingly, and upsettingly, is whether or not Eddie Vedder’s daughter(s) would (or will) get this much attention. And the answer is: fuck no. Because Eddie Vedder didn’t kill himself with a shotgun on April 4th, 1994.
But all this got me thinking about Grunge, because what Considine sees in Frances’ “intense, pale stare” I did see in the photos from Harper’s Bazaar in 2008. I see her dad. I see Kurt Cobain. And I see my youth. I was 17-years-old when Cobain died, not that much younger than Frances is now. I don’t remember a whole lot about the day. I know that my friends and I were stoned, and hanging out in someone’s parents’ basement. Much Music broke the news that a man had been found dead on Cobain’s Seattle property, and though I recall waiting for confirmation that it was indeed Cobain, we all knew.
I also don’t recall any great sadness, or an evening drunken reminiscence, or candle light vigils. Maybe because at the time, I was more of a Pearl Jam fan. I do remember being angry that Cobain quoted Neil Young in his suicide note, writing it was “better to burnout, than to fade away.” In the 90s, Young was often referred to as The Godfather of Grunge, but what Cobain’s borrowing of a great lyric failed to do, and what Grunge did not properly inherit from Neil Young, is that the music, the art, the writing was the release, not the embodiment, of pain and suffering.
Young took the quoting hard, and refused to play “Hey, Hey, My, My” for years afterwards. I was, and am, a huge Neil fan, and during this time I saw Neil play once or twice a year. The songs absence was noticeable, and sad in a way I can’t quite explain. When he finally did put the song back in his concert rotation, I saw him at a show in (I believe) Toronto, and it was moving and cathartic experience for the crowd, and I imagine for Young. In that rendition, and in the times I’ve seen him since, his emphasis seems to be on the lyric “and once you’re gone, you can’t come back” and there’s something quietly beautiful about that, and the place that Young and Cobain share in Rock’s history.
I miss Grunge. I miss Soundgarden, and Pearl Jam, and Alice in Chains. I miss going to the record store, and searching out Green River imports, and Mother Love Bone EPs. I miss waking up and throwing on a pair of dirty ripped jeans and a plaid flannel shirt over a beaten up t-shirt, and calling it an outfit. I miss never having to wash or shave, and calling it cool. I miss lyrics like “Chloe’s just like me, only beautiful” and “the feeling, it gets left behind.” And I actually miss feeling “stupid, and contagious,” because, shit, that’s how it was at times.
A while back I started listening to Nirvana again. The Cock n’ Bull in Montreal had “Aneurysm” on it’s jukebox, and I overplayed it every time we went in. This was followed by a re-introduction to MTVUnplugged in New York. There’s a point in “Where Did You Sleep Last Night” that just breaks your heart, and for a beautifully haunting moment, you’re exposed to what it is that eventually ended Cobain. “My girl, my girl, don’t lie to me, tell me where did you sleep last night?” And though the composition isn’t his, it allows for a great parallel in interpretation. Cobain, intriguingly, felt the full Blues-ridden pain of the Lead Belly song, and put a stripped down and yet near pitch-perfect Grunge take on it. Yet, when it came to interpreting Young’s lyric, all he could take away was an excuse to burn out.
Too bad. Who knows where Nirvana would have gone, where Cobain was going to take music, if Grunge would have survived. We could have been spared Foo Fighters. But Pearl Jam faded away, but not before leaving us with an unfortunate legacy of Eddie Vedder copycat artists (I’m looking at you Nicklesuck.) And Chris Cornell turned to Adult Contemporary pop nonsense, forming the worst named band ever (Audioslave), teaming with American Idol winners, and finally a desperate Soundgarden reunion. (Christ, that’s how old I am. A Soundgarden reunion.) Layne Staley OD’d to no one’s surprise, though Alice in Chains reunited anyway. And yet their Godfather, Neil Young, is still as vibrant as ever. It’s sad when parents outlive their children, a sadness that will be carried out all too publicly by Frances Bean Cobain.